Accidentals

Accidentals

Accidentals are signs which indicate temporary chromatic alteration.
A sharp raises the pitch of a note by a semitone and a flat lowers the pitch by a semitone.
Similarly, a double-sharp raises the pitch by 2 semitones and a double-flat lowers the pitch by 2 semitones.


Table of Contents

Horizontal Spacing
Vertical Alignment
Kallisti Press Tips


HORIZONTAL SPACING

Spacing of accidentals may vary from score to score, depending on how many notes must fit into a measure, whether there are multiple accidentals, and whether they are alike or not alike.




VERTICAL ALIGNMENT

Vertical alignment of accidentals is determined by:

1. Intervals between notes in the chord

2. How many notes are in the chord: 2, 3 or 4+

3. Whether there are suspended notes in the chord, and which side of the stem they are on.

In any note combination without suspended notes, if the interval between notes with accidentals is more than a 7th, the accidentals are directly above each other.


Below are tables of rules of alignment for accidentals in the different possible note combinations.


2 Accidentals

Example Number of Notes in the Chord Interval Between Top & Bottom Notes Are There Suspended Notes? Resulting Placement of Accidentals
2 Less than a 7th No Highest accidental is closest to the notes; lower accidental is further left.
3 Less than a 7th No Same as above
3 Less than a 7th Yes, on the right side of the stem Accidental for the suspended note is closest to the notes
Any number Any interval Yes, on the left side of the stem Accidental for the suspended note is further from the notes




3 Accidentals

Notes suspended on the right of the stem:

Example Interval Between Top and Bottom Notes Are There Suspended Notes? Resulting Placement of Accidentals
7th or Greater No Accidentals for the top and bottom notes are vertically aligned near the noteheads; other accidental is further left.
Less than a 7th No Highest accidental is nearest the notes; lowest accidental further left; remaining accidental is farthest left.
7th or Greater
( *interval of notes above the suspended note)
Yes, any note Accidental of suspended note is nearest the notehead; highest is further left; lowest is farthest left.
7th or Greater Yes, the top note Top and bottom accidentals are vertically aligned; remaining accidental is further left.
Less than a 7th Yes, the top note Accidental of suspended note is nearest to the notes; lowest accidental is further left; remaining accidental is farthest left.
Less than a 7th Yes, the middle note Accidental of suspended note is nearest to the notes; highest accidental is further left; lowest accidental is farthest left.

Notes suspended on the left of the stem:

Example Interval Between Top and Bottom Notes Location of Suspended Note Resulting Placement of Accidentals
Less than a 7th Bottom note Highest accidental is closest to notes; accidental of suspended note is farthest left; other accidental is in between.
More than a 7th Bottom note Same placement as above.
Less than a 7th Middle note Lowest accidental is closest to notes: accidental of suspended note is farthest left; othe accidental is in between.




4 or more Accidentals

(Examples are given to avoid wordy explanations)

Interval Between Top & Bottom Notes Are There Suspended Notes? Example of Accidental Placement
7th or Greater No
7th or Greater Yes
Less than a 7th Yes
2 intervals of a 7th or Greater No




KALLISTI PRESS TIPS

In pre-20th century music, if you have a sharp following a flat in the same measure (or vice-versa) you have to cancel the first accidental before applying the second; that is, the second note will have a natural sign preceding the regular accidental. The same rule applies if you have a double-sharp followed by a single-sharp (or double flat to single flat). Since Finale's accidental engine doesn't provide this notation, it has to be entered as an articulation, which will position automatically with these settings:

  • natural D note 0, -56 -12 -56 12

  • Tips compliments of Andrew Stiller and Kallisti Press.




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